Gustave Courbet
1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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Gustave Courbet Rehbock im Wald oil painting


Rehbock im Wald
1867(1867) Medium oil on canvas Dimensions 94 x 131 cm cyf
Painting ID::  90115
Gustave Courbet
Rehbock im Wald
1867(1867) Medium oil on canvas Dimensions 94 x 131 cm cyf
   
   
     

Gustave Courbet Bauern von Flagey bei der Ruckkehr vom Markt oil painting


Bauern von Flagey bei der Ruckkehr vom Markt
1850(1850) Medium oil on canvas Dimensions 208,5 x 275,5 cm cyf
Painting ID::  90309
Gustave Courbet
Bauern von Flagey bei der Ruckkehr vom Markt
1850(1850) Medium oil on canvas Dimensions 208,5 x 275,5 cm cyf
   
   
     

Gustave Courbet The Greyhounds of the Comte de Choiseul oil painting


The Greyhounds of the Comte de Choiseul
1866(1866) Medium oil on canvas Dimensions 89.5 x 116.5 cm (35.2 x 45.9 in) cyf
Painting ID::  90419
Gustave Courbet
The Greyhounds of the Comte de Choiseul
1866(1866) Medium oil on canvas Dimensions 89.5 x 116.5 cm (35.2 x 45.9 in) cyf
   
   
     

Gustave Courbet Baigneuse oil painting


Baigneuse
Oil on canvas 90x72 cm circa 1866-1868 cjr
Painting ID::  90577
Gustave Courbet
Baigneuse
Oil on canvas 90x72 cm circa 1866-1868 cjr
   
   
     

Gustave Courbet Still Life with Apples and a Pomegranate oil painting


Still Life with Apples and a Pomegranate
1871(1871) Medium oil on canvas Dimensions 44 x 61 cm (17.3 x 24 in) cyf
Painting ID::  90590
Gustave Courbet
Still Life with Apples and a Pomegranate
1871(1871) Medium oil on canvas Dimensions 44 x 61 cm (17.3 x 24 in) cyf
   
   
     

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     Gustave Courbet
     1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.

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